
I recently watched Ken Russell’s The Devils (1971) in a theater, in its new 4K restoration. I saw it on October 20, the day before the feast of Saint Ursula and her Companions, and am publishing this reflection on her feast day, October 21. The coincidence is worth mentioning because the nuns at the center of the film belong to the Ursuline order, named after Saint Ursula. What stayed with me after the screening, however, was not simply the film’s notorious imagery, but the historical tragedy behind it and the questions it raises about religious authority, human weakness, and the terrible consequences of mistaking institutional interests for the interests of God.
More than half a century after its release, The Devils remains a disturbing film. Russell portrays a world in which political ambition, sexual scandal, religious fanaticism, and personal vengeance become entangled until the language of faith itself is turned against the people it should serve. His indictment of religious hypocrisy has considerable force, but his treatment of sacred imagery raises questions of its own. An Orthodox Christian can recognize the injustice at the heart of the story without necessarily accepting every artistic choice Russell makes.




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