Religion in Gothic Literature

By Wendy Fall, Marquette University

Christianity and the idea of religion in general is explored in the Gothic through its presences and absences. Sometimes in the Gothic, religion is evaluated in terms of its relative deviation from rationality, which was a valued attribute for the new definitions of the proper English person. Methodists, for example, who were too passionate and exhibited too much fervor in their religious ecstasies, therefore Methodism wasn't good for the proper English person. The Gothic also explored religion in terms of history, critiquing the reasoning for the crusades, inflating the horrors of the inquisition in service of anti-Catholic rhetoric, comparing the strength of Christian piety to demonic temptation, and questioning the role of religion in education.

Nature is Not God

By Th. I. Riginiotis 

(trans. A. N.)

In our day and age there is a noticeable increase in people who have been unearthing from oblivion and reliving the worship of ‘gods’ belonging to ancient pagan religions. This appears to be a worldwide phenomenon, which is intensifying as contemporary peoples seek their cultural roots, and while western peoples are seeing that they can now shake off the oppressive and imperialist versions of Christianity which took shape in the West during the past thousand years: Catholicism and Protestantism.

These contemporary worshippers often admit that they don’t really believe in the existence of ancient ‘gods’, but are attracted by “what is represented” by those gods and the myths that speak of them – that is, “the powers of nature and the universe”, inner peace and harmony of all creatures.

Thus we observe even rituals for worshipping the Sun, the Moon, Nature, Life etc., as well as invocations to the universe and its supposed “powers”. This perception – which is now a strong current – also possesses a whole lot of artistic creations in every form of the arts.